illustration
Thursday 17 September 2020
illustration: The Fiery Crown Part 1 by Charles Cutting
illustration: The Fiery Crown Part 1 by Charles Cutting: It's been a while since I've used this blog. I've given up having an art blog and am on instagram detailing my development in ...
The Fiery Crown Part 1 by Charles Cutting
It's been a while since I've used this blog. I've given up having an art blog and am on instagram detailing my development in illustration....
.....But the author /artist of The Fiery Crown has asked readers of his book to contribute a review. And while I'm recovering from man-flu I thought yes, I can do that and I should anyway for independent authors so I might use this site to review things when asked :)
First off, The Fiery Crown Act 1 is a beautifully crafted book. I'm guessing, set
in the early 20th century. It centres on Dawn who unwittingly gets
embroiled in the schemes of the Faery Folk that lead to a tragic event.
(I don't think I can say more without spoiling it).
Fiery
Crown has lavish artwork with rich colours without being garish. I find
a lot of current comics visually a bit too dark and I throw that
criticism on my own work too, but definitely not this. I found it very
refreshing.
The story is vivid and flows smoothly. There are
a variety of lively, fun interacting characters and moments when no words are
needed as the artwork guides you along and you can pause to take in the
drama... These are some of my favourite elements.
Overall it's really enjoyable, and has a feeling of a classic tale and I look forward to the next part.
The book is 60 pages long and priced at £8.99
The production quality is high in my opinion and most independently produced coloured comics cost around £4 to £6 for a single 24 page issue.
The Fiery Crown can be purchased at http://charlescutting.com/The-Fiery-Crown
Norm
Tuesday 5 February 2019
Thursday 31 January 2019
life drawing
Sometime last year I decided to back to life drawing. I've decided to do this now on a, kind of regular basis, going once or twice a month.
I see it as a very distraction free and simple exercise to continue developing and maintaining my skills. You go and you draw who's in front of you. What can be less simple.
Below are some 20 or 30 min drawings
I see it as a very distraction free and simple exercise to continue developing and maintaining my skills. You go and you draw who's in front of you. What can be less simple.
Below are some 20 or 30 min drawings
Tuesday 10 October 2017
Gilbert's Universe - Developing Gilbert
"Gilbert loves to build things. Especially rocket ships - he loves building rocket ships."
"Gilbert lives in this house, which is next door to Mr Grenola's scrap yard.
Mr Grenola lets Gilbert help himself to all sorts of bits and pieces for his toy projects.
Gilbert helps Mr Grenola fix some cars and occasionally a washing machine or two."
Gilbert was never clearly defined other than what was written above, in the first two pages of the story and that the publisher wanted him to be a young boy.
Previous concept images sent to me depicted a boy in t-shirt with either shorts or trousers but nothing that would suggests Gilbert likes to build things, especially with scrap metal.
So I imagined, to a degree, what I would tell my daughter to wear if she had to traipse around a scrapyard and moving sheets of metal - Gloves, overalls, and goggles for the occasional welding (I thought about hard hats and boots too but didn't want to obscure him too much, though I probably should have given him boots).
Anyway I took that mental image at the time and produced a few sketches with a additional pencil behind the ear (to make him workman like) and imagined him keeping the goggles and pencil throughout the book. One of sketches I thought fitted well for the first page so it became the focal point of page one
To take what I did further I decided he looked too clean in the sketches so in the final image at the top I added dirt marks and paint marks, on his face and overalls.
Monday 11 September 2017
Gilbert's Universe Update
It's been a many months since I updated this but the book was finished in mid July and sent to the Publisher. It was quite hard to juggle the work with other commitments and other things but I finished it in the sixth month from when I received the signed contract. I would have preferred more time but I got it done and then took a break as it timed nicely with the school holidays.
Until then...
Thursday 9 February 2017
Thought bubble- Gilbert's Universe
The book is called (for now) Gilbert's Universe and is written by Andy Briggs. This will be aimed at 3 to 6 year olds. There's been a few delays sorting out the contracts which was annoying as I started the work before Christmas and produced most of the initial concept drawings.
Concept drawings
Initially I try not to be too controlled with concept work. After gathering some reference material I work quickly and loosely while trying to get an idea of the look and the colours.
Next I start to refine a little.
For characters I tried different proportions but decided on the more cartoony ones with the bigger heads. From this I tried to rough out the expressions of the characters that can be found through the story.
For the creature I draw out the animal that the author had based it on just so I get an idea of the creatures structure. In this case it's a lizard. It might not end up looking like a real lizard but I have to be comfortable and familiar with the creature I draw. Something else that helps is to make a maquette (model) so I can look at it from different angles.
Developing the space ship was a little tricky. The author had wanted it to be based on a small car and built out of junk with a washing machine in the back some where.
In the initial stages I felt the vehicle was too recognisable as a car. To get round this I started using the back of the car as the front. This way elements of a car is still clearly recognisable, also the kids flying the ship should be more visible.
Thumbnails
I started the thumbnails after the concept work and I spend quite a bit of time on this, constantly drawing over and over it before finally going over each one in pen to pick out the details. In fact I spent more time on this than the above concept work. For me it's really important to layout the book before finalising the page. Also I never feel comfortable drawing a page from scratch I continually revise and amend the layout. There will be some in the thumbnails that I'm not entirely happy with, but having something down allows me to look it over and keep thinking about it before I start the finished roughs.
Concepts and thumbnails were sent to the publisher after the contract was finalized and I've since been given the green light to carry on.
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